I really enjoyed seeing this movie in class and so I could know a little more about the art of Marina. Actually, I have great difficulty understanding interpret some forms of art, and this documentary I could marvel at Mariana and his companions. In addition to the teachings of his art, was also fascinating know a little about her personal life. Now I can say I know Marina's and admire.
Showing posts with label marina abramovic. Show all posts
Showing posts with label marina abramovic. Show all posts
Sunday, November 17, 2013
Saturday, November 16, 2013
The Artist is Present: Response
I really enjoyed this movie. I’m already a fan of Marina Abromovic’s work but I think
this movie helped me respect her more. I knew nothing about her personal life
before this movie. I judged her based strictly on her early work. The movie
showed her strengths and just how far she would go for her artwork. I didn’t
expect her and Ulay to give so much information and be as open as they were.
This was my favorite part of the movie because I felt like in that moment she
and Ulay were only human like the rest of us. I even shed a tear when they
reached their hands across the table to grab the others at the MoMA
performance. That was beautiful. I also love how honest Ulay was honest when he
just said how lazy he was. Marina has a stronger desire and drive to perform
and that is why she is a different state then Ulay right now.
I do
wonder where she would be right now if her and Ulay were still together,
probably not the artist we know her as today. I think all things happen for a
reason and the breakup with Ulay may have been painful but it seemed like the
birth of a new artist.
I like
Marina how she is now more than when she did her earlier work because she has
been hurt and went through struggle. I love to see a person when they are
vulnerable it just makes them that more real and likable to me. Knowing all of
this just makes me enjoy her work that much more. I feel like she will keep
working until she dies. I don’t see her giving performing a break because of
her age. I think she will perform and work even harder. She was in her 60’s
when she did “The Artist is Present“ I think it’s pretty amazing as to how
someone her age could handle the performance the way she did. The connection she had with her audience amazes me! The tears during the performance were beautiful.
This movie
just helped me have that much more respect for her. I get really tired of just
seeing artist work after work without having any history of them; it makes me
feel like the work is less desirable. I also have a lot of respect for Yoko Ono
as well because I find her personal life fascinating. I’m really big on
learning about a person’s history and I enjoy the way Marina was so open about
giving hers. This movie not only gives me a bigger respect for her, but for
performance art as well.
Even after
finishing the movie I decided to do more research and I thought it was cool hat
she is working with Lady Gaga on her latest album “Artpop.” What other person
in their 60’s would be working with Gaga?!? That’s just awesome. I think both of them are crazy and make amazing work, I like crazy. She looks
amazing for her age. Much respect.
Wednesday, November 13, 2013
Artist Is Present response
It's going to be difficult to keep this response short because I'm so in awe of Marina Abromovic's work.
One of the things I appreciate most about her is her bravery. I don't mean because she's exposed herself completely to an audience of people ranging from art connaiseurs to visitors with little to no background knowledge of art, let alone performance art, but because her performance pieces often run a risk of severe injury, require a high threshhold for pain, and sometimes leave her at the mercy of her audience. The one that impressed me the most wasn't discussed in the video, but I remember she performed one where she essentially gave strangers complete permission to do whatever they wanted to her by providing them with objects from flowers to knives to condoms. What I love about it is that, yes, it sounds insane to open yourself up to harm, but Marina is clearly someone with full control of her faculties and that performance showed what people are capable of when repercussions are removed from the equation. Every performance she creates has a purpose, and while some artists strive to do the same, I feel that sometimes they come across as pretentious and barely scratch the surface of what they're intending to say. I really get what Marina does. The ideas are immediate even if subtle because she's not injecting the piece with a meaning of her choosing; the piece contains all the meaning in and of itself. For example, the one where visitors have to pass through two nude bodies to see the rest of the museum challanges people to confront the paradigm that nudity is shameful; that bodies are to be hidden.It really brings you to question why things are the way they are. On the same note, her stamina is incredible. To sit completely immobile not only for one performance but every day for 92 days is amazing and speaks volumes to how passionate she is about her work. She really does captivate with her commitment to her work and her ability to connect with people because she pours every bit of herself into it. I could watch films on her for ages and write whole essays on her for days.
One of the things I appreciate most about her is her bravery. I don't mean because she's exposed herself completely to an audience of people ranging from art connaiseurs to visitors with little to no background knowledge of art, let alone performance art, but because her performance pieces often run a risk of severe injury, require a high threshhold for pain, and sometimes leave her at the mercy of her audience. The one that impressed me the most wasn't discussed in the video, but I remember she performed one where she essentially gave strangers complete permission to do whatever they wanted to her by providing them with objects from flowers to knives to condoms. What I love about it is that, yes, it sounds insane to open yourself up to harm, but Marina is clearly someone with full control of her faculties and that performance showed what people are capable of when repercussions are removed from the equation. Every performance she creates has a purpose, and while some artists strive to do the same, I feel that sometimes they come across as pretentious and barely scratch the surface of what they're intending to say. I really get what Marina does. The ideas are immediate even if subtle because she's not injecting the piece with a meaning of her choosing; the piece contains all the meaning in and of itself. For example, the one where visitors have to pass through two nude bodies to see the rest of the museum challanges people to confront the paradigm that nudity is shameful; that bodies are to be hidden.It really brings you to question why things are the way they are. On the same note, her stamina is incredible. To sit completely immobile not only for one performance but every day for 92 days is amazing and speaks volumes to how passionate she is about her work. She really does captivate with her commitment to her work and her ability to connect with people because she pours every bit of herself into it. I could watch films on her for ages and write whole essays on her for days.
The Artist is Present
I had already been fairly familiar with Marina Abramovic's "The Artist is Present," but the documentary added depth to the intrinsically moving performance by providing an intimate perspective of Abramovic. The documentary gave the piece context, whereas before, I had only pictured the project from the blessed audience's point of view. I considered that it must have been physically and emotionally tolling to sit in the same spot for months, to have a connection with each person, but when you are imagining the project from the audience's perspective and imagining your chance to sit in front of her, I admit that Marina becomes an object, and it is expected of her to carry out the project and provide that connection and insight, because her entire career has been about pushing the body's limits. This documentary forced you to realize her human side (though still brilliant and powerful), even hearing that she was nervous before the performance started, but seeing her seamlessly switch into performance mode as soon as she bowed her head in the chair. The performance's length struck me the most when she pointed out she would step inside the museum during winter, and step out of the museum facing summer. I loved learning about her personal life and hearing her old lover's testimonies, because while you could detect the drama of the past, a profound respect still existed for her. It seems impossible to not respect her and her work! There is something to be said of her effortless influence and our bewildered respect in that I felt a connection with her gaze, despite being separated from her by time and a camera. To sum this up in a sentence, the documentary approached the subject flawlessly, and I am inspired by Marina.
The Artist is Present: Review
The Artist is Present
Marina Abramovic is beyond my awe. I have previously been introduced to Marina's work, so I should not be so completely dumbstruck, but I honestly can't help it. I fear I may be redundant in my review for I feel everything has already been said. She's brilliant. She's endearing. Inspiring. Jaw dropping. We get it; we feel it. I can honestly only tell you how she made me feel: I truly wanted to stop everything I was doing and follow her. She has such a passion that can only be described as enigmatic. She's a true life size puzzle that you want to solve, but can't. I find myself reeling at simply the mere possibility of her works, let alone actually carry out with them. It is interesting to hear about such a childhood she had; you can tell and see firsthand how that aspect of her life as truly influenced herself and her work, as she comments on the vulnerability and raw emotion each human possess, especially with her fixation on the portrayal of the human body. I would love to completely see the thought process of how she and her team come up with a piece: from the idea, to execution. The film was also beautifully edited. The camera angles and shot were very personal, and the ways in which they were position to evoke emotion between the viewer and the image.
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